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    Please use this identifier to cite or link to this item: http://ccur.lib.ccu.edu.tw/handle/A095B0000Q/924


    Title: 論表演人之權利保護 -以著作人格權為中心
    Authors: 辛韋函
    Contributors: 財經法律系研究所
    Keywords: 視聽表演北京條約;表演人;著作人格權;合理使用;Beijing Treaty on Audiovisual Performances;performers’ right;moral right;fair use
    Date: 2017
    Issue Date: 2019-07-17 10:57:42 (UTC+8)
    Publisher: 財經法律系研究所
    Abstract: 為了因應科技發展的腳步,世界智慧財產權組織於2012年通過視聽表演北京條約,使得表演人之權利保護更加完整。本文從表演人保護之緣起出發,介紹表演人之定義與範圍、表演人權利保護之法律性質,接著從各國際公約、各國立法例以及我國現行著作權法與我國著作權法修正草案中,完整介紹國際間及我國對表演人權利保護包括著作人格權與著作財產權之具體實踐,並將焦點關注在表演人之著作人格權,透過比較法與判決之研究,檢討我國表演人之著作人格權的保護。最後進一步從三個面向出發:第一、從契約自治的角度著手約束契約雙方;第二、討論以合理使用限制著作人格權之可能性;第三、從時間的限制著手,討論著作人格權保護期間,試圖找出限制表演人之著作人格權之方法。
    In response to the pace of technological development, the World Intellectual Property Organization in 2012 signed the Beijing Treaty on Audiovisual Performances to provide a complete protection of the performers’ right. This research starts from the origin of the protection of the performers. Furthermore, the author introduces the protection of the performers’ right in the international convention, the legislation of various nationals, and our present legislation and future legislation amendment. In this research, the author focus on moral rights of the performers. By using comparative study method and cases study, the author reviews the protection of moral rights of the performers. Finally, from the point of view of fair use, contractual freedom and copyright protection term, the author tries to find out the way to limit the moral rights of the performers.
    Appears in Collections:[財經法律系研究所] 學位論文

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