馬來西亞華人電影與國族文化認同建構：以周青元《輝煌年代》為例;Malaysian Chinese Film and the Construction of National/Cultural Identity: The Case Study of Chiu Keng Guan’s Ola Bola

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Title:	馬來西亞華人電影與國族文化認同建構：以周青元《輝煌年代》為例;Malaysian Chinese Film and the Construction of National/Cultural Identity: The Case Study of Chiu Keng Guan’s Ola Bola
Authors:	盧美靜;LO, MEE-CHING
Contributors:	傳播學系電訊傳播研究所
Keywords:	馬來西亞華語電影;《輝煌年代》;批判論述分析;英雄旅程;周青元;Malaysian Chinese film;Ola Bola;Critical Discourse Analysis;Hero’s Journey;Chiu Keng Guan
Date:	2017
Issue Date:	2019-07-17 09:47:29 (UTC+8)
Publisher:	傳播學系電訊傳播研究所
Abstract:	馬來西亞華語電影近幾年非常活躍，其中周青元的賀歲三部曲中的《一路有你》更創下新高。在這之後，周青元拍了一部以馬來西亞國家足球隊歷史為參考的足球電影《輝煌年代》。雖然故事和人物都是虛構的，但還是引起不少討論和爭議。本研究的研究對象是《輝煌年代》，運用Christopher Vogler所提出的「英雄旅程」分析《輝煌年代》如何建構國族認同，及其如何運用國家象徵。再採用Norman Fairclough 所提出的批判論述分析，從文本層面探討電影再現馬來西亞華人文化認同和國族認同所面對的局限，並進一步分析《輝煌年代》在馬來西亞華人群體中正反兩極的評價。最後，再從社會和歷史的脈絡分析電影中可能傳達的政治隱喻和社會意涵，從中了解馬來西亞華人的處境和糾葛。 In recent years, Malaysian Chinese film making is very active. The Journey, one of Chiu Keng Guan’s directed Chinese New Year trilogy films, successfully hit Malaysia’s box office new records. Later on, Chiu Keng Guan directed a Malaysian football sports film Ola Bola as inspired by the Malaysian national football team. Although the plot and the characters are fictional, the film caused a lot of discussion and controversy.This research is focused on the film Ola Bola. Christopher Vogler's "Hero’s Journey" is applied to analyze how Ola Bola constructs national identity by using national symbols. Moreover, by means of Fairclough's Critical Discourse Analysis, this research examines the limitations of cultural and national identity for Malaysian Chinese as reflected in the film. Furthermore, it evaluates controversial statements within Chinese community regarding the film. Finally, it looks into political and social aspects from social and historical backgrounds in order to understand the situation and disputes for Malaysian Chinese.
Appears in Collections:	[傳播學系電訊傳播研究所] 學位論文

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